Leicester, Leicestershire
Jane Domingos, Prickly Pear, 2022, Oil on Board, 16cm x 22cm, £325
Jane Domingos, Agave Americana, 2022, Oil on Board, 16cm x 22cm, £325
Through A Glass Darkly, Oil on canvas, 4’ x 6’, 2011, £3,950
Jane Domingos, Floodplain, Oil on board, 16cm x 22.2cm - Sold
Poplar, Oil on gesso panel, 22” x 16” - Sold
Jane Domingos, Feather IV, Oil on board, H155mm x W220mm - Sold
Jane Domingos, Feather III, Oil on board, H155mm x W220mm - Sold
Jane Domingos, Feather II, Oil on board, H155mm x W220mm - Sold
Jane Domingos, Feather I, Oil on board, H155mm x W220mm - Sold
Biography and C.V
Jane Domingos is a British artist born in Leicestershire, where she is currently living after a long spell in Yorkshire as well as stints in London and Portugal.
Jane has a recent MA in Art & Design Studio Practice from Loughborough University and she is also a graduate of Leeds University where she undertook a BA in Art History & English Literature. Jane has worked part-time as both a freelance fine artist and graphic designer for 20 years while raising five children.
One of Jane’s works Promoted to Glory was exhibited at the Royal Academy of Arts Summer Exhibition 2011 in London.
Selected Exhibitions
2012
Midlands Open 2012, Tarpey Gallery, Castle Donnington; December 2012.
Nottingham Castle Open 2012, Nottingham; October 2012.
Recipient of the Tarpey Gallery Solo Show Award and also awarded the People’s Panel Prize.
MA Degree Show, School of the Arts, Loughborough University; September 2012.
Leicester Society of Artists Annual Exhibition, New Walk Museum, Leicester; August 2012.
SOCK Gallery Open, Loughborough Town Hall, Loughborough; August 2012.
Awarded the People’s Choice Prize.
Connect Embrace Arts Exhibition, Richard Attenborough Centre, University of Leicester; July 2012.
2011
Midlands Open 2011, Tarpey Gallery, Castle Donnington; December 2011.
Affordable Art Fair, Battersea, London; October 2011.
Royal Academy of Arts Summer Exhibition, London; June 2011
Artist Statement
Materiality, process and facture are integral to the expression of my themes. Current work is concerned with scale and the notion of the horizon and follows on from earlier work that dealt specifically with the final moments of life and the idea of a presence created by objects left behind. The work has been described as uncanny, surreal, serene yet ominous, possessing otherness, an intense silence bordering on airlessness. Visual tropes and materiality are used to add complexity and sophistication to the appearance of the two dimensional quality of the painted surface, the medium of oil being an excellent vehicle to further explore subtlety of surface. Different approaches to painting within the same constraints of medium, size and format are often employed to utilize some of the many techniques available to the oil painter.
The concept of freedom opposed to captivity and the notion of the horizon as hope for a better other or an endlessly shifting boundary is an underlying theme of much of the work. Where freedom is dealt with in a very literal sense it is hoped it will provoke thoughts of a more metaphysical nature. The approach adopted for recent paintings has been in part a response to the non-sequitur of surrealism by a consideration of it’s converse, the cliche; the ritualization and predictability of human experience and emotionality. I am interested in the degree to which visual metaphors, symbols and motifs of representational objects operate as signifiers or function as signified concepts. Precipitated by the critique that the paintings bore similarities to the work of certain surrealist artists particular attention has been paid recently to the contextual framework of surrealism and the surrealists’ ambition to disrupt narrative conventions by liberating text or object from preconceived contexts. Essentially it is the ability of the human mind to transcend the physicality and fixed forms of the spatial and temporal world we inhabit that is core to my work.
Jane Domingos, October 2012