Nottinghamshire, UK
Jackie Berridge, Float, Ink, pencil crayon, watercolour and collage on paper, 30cm x 35cm, 2021 £350
Jackie Berridge, Every Dream has a Dreamer, Ink, pencil crayon, watercolour and collage on paper, 30cm x 35cm, 2021 £350
Jackie Berridge, Tyger Tyger, Oil on board, 40 x 50cm, 2021, £1500 - Sold
Shadowlands Too, Oil on canvas, 76 x 101cm, 2014, £1500 - Sold
World 5, Oil on board, 20 x 25cm, £600 - Sold
World 4, Oil on board, 20 x 25cm, £600 - Sold
Education
2007 MA Children’s Book Illustration, Anglian Ruskin University- Distinction. Masters Project 91%
1998 Post Grad Certificate in Arts Practice
1995 Fine Art BA(Hons) – First Class, Nottingham Trent University
1992 Foundation in Art & Design, West Notts College, Mansfield, Notts
Sponsorship and Awards
2014 Nottingham Castle Museum & art Gallery, Nottingham Castle Open (32 artists from 447)
2013 RableySKETCH 2013 Exhibition Prize Winner
2012 Cash Prize winner Nottingham Castle Open 2012
2011 Cash Prize winner Nottingham Castle Open 2011
2010 Winner of A-N seasonal greetings design.
2010 Selected for the Royal Academy Summer Exhibiton
2008 Artists as an Entrepreneur, Research & Networking Trip to Lille, France.
2007 Dragon Prize, MA Childrens Book Illustration
1995 Steven George & Partners Prize, Leicester City Open
1997 Daler-Rowney Sponsorship for ”Fragments in Time’
1997 EMA Start-Up Award
Selected solo exhibitions
2014 Perfume and Savages, Angears Centre, Lakeside Arts, Nottingham,
2012 ‘Short, Sharp Blow to the Head…’Trade Gallery, One Thoresby Street, Nottingham
2010 Millgate Museum, Newark, Notts
2009 ‘To Play or Not to Play, ‘DEDA Derby Dance Centre
Artist Statement
‘Perfume and Savages’ is a body of work exploring issues of group dynamics and social isolation. The utopian landscapes are the setting for clusters of people and solitary figures whose subtle gestures hint at a darker mood than the bright colours might suggest.
I am particularly fascinated by the subtle nuances of body language – the tilted heads, twisted bodies and small involuntary signals signifying elements of power, control, vulnerability and alienation. From the kindest of gestures to sinister acts of Machiavellian treachery I am interested in the tiny tales of growing und crumbling relationships. Groupings of individuals and lone characters suggest leaders and factions mimicking the hierarchy of the workplace, different social strata or power struggles in the boardroom.
The cast have human like bodies topped with heads of animals and birds. Using anthropomorphic beings brings an element of theatre to the paintings whilst at the same time depersonalising the characters.
The fantastical landscapes are inspired by formal public gardens such as the Italian Giardini di Boboli, the Botanical Gardens in Visby and closer to home the Arboretum, Nottingham. These landscapes create the perfect environment for games and human interaction.
The sketchbook is usually the starting point, often beginning with drawings such as direct observation in one of the parks. I have spent many years drawing people and places and much of the recent sketchbook work is about developing the characters and creating my own visual language. I never work directly from a sketchbook, preferring to rely on memory or a direct source for inspiration.
Narrative resource material is wide and varied – from Margaret Atwood’s novel, ‘Cat’s Eyes’, works by Jane Austen and TV dramas. Personal memories and historical events also provide rich pickings for little scenarios that pepper the work.
Whilst I have particular narratives in mind when creating the work, the stories are also deliberately ambiguous allowing the viewer to interpret the work for themselves.